If you read PurrFiction serials, you read them on a screen, one episode at a time. As of this week that's no longer the only option. PubliWrite and PurrFiction have built a direct integration: a PurrFiction author can pull their book into PubliWrite and publish it as a
Search "how to write a book blurb" and you'll get the same formula a thousand times: open with a hook, raise the stakes, end on a cliffhanger. It might even work for the first sale. But nobody talks about what happens after someone actually reads the
Most self-publishing guides walk you through a process. This is a checklist: twelve things to verify before you click Publish, so nothing slips through because you were focused on the manuscript and forgot the business side. It covers the manuscript, rights, metadata, pricing, distribution, legal basics, and launch day.
Spend enough time in author communities and the same stories keep coming up. The "marketing campaign" that cost four figures and turned out to be two templated emails. The distributor that sat on a takedown request for two months. The contract someone signed in 2021 that still controls
Ask ten people what it costs to publish a book and you'll get two contradictory answers. Half will tell you it's expensive: thousands of pounds for editing, design, printing, and marketing. The other half will tell you that you can publish for free, today, this afternoon
Twenty years ago, an author had a short list of options and a long set of gatekeepers. If a publisher said yes, they handled almost everything that came after the manuscript: editing, design, formatting, distribution, metadata, marketing. The road was narrow, but once you were on it, someone else did
"Don't judge a book by its cover" is one of those phrases everyone agrees with and almost nobody actually follows. In practice, covers are exactly how books get judged - and not just by casual readers. By algorithms that decide which thumbnails to surface. By retailers that
The publishing industry spent years preparing for a future that didn't quite arrive. Ebooks were supposed to win. The logic was clean: screens were everywhere, digital was cheaper, physical distribution was inefficient, and readers, especially younger ones, would eventually follow the same path as music and film. Print
Few topics in publishing right now trigger stronger reactions than artificial intelligence and most of the arguments, on both sides, are about the wrong thing. The debate tends to orbit one question: can AI write a book? It's a reasonable thing to wonder, and the answer is technically
Last month, an author on our platform told us she'd spent three hours trying to get ChatGPT to rewrite her opening chapter. The result? Four versions that all sounded like the back of a cereal box. "It's useless", she said. It wasn't.
If you’re preparing to publish your book, you’ve probably come across four letters that seem far more complicated than they should be: ISBN. Some platforms offer a "free ISBN". Others tell you to buy your own. Some authors say you absolutely need one. Others claim you
Formatting is one of the most underestimated steps in publishing until it goes wrong. You can have a brilliant story, a polished manuscript, and a stunning cover, yet still lose readers within the first few pages because the book simply feels off. Awkward spacing, broken paragraphs, inconsistent headings, unreadable fonts;
Book marketing has always mattered; even if authors didn’t always see it. Long before TikTok trends and Instagram reels, books lived and died by visibility. Placement in bookstores, reviews in newspapers, library distribution, and carefully planned author tours determined which stories reached readers and which quietly disappeared. Marketing wasn’
When Books Became More Than Stories There was a time when books were purely functional objects. You bought them, read them, passed them on, stacked them on shelves, and sometimes forgot them altogether. Today, something fundamental has changed. In a world dominated by screens, short attention spans, and endless digital
The surprising truth about backlist revival In a publishing world that constantly chases what’s “new,” authors often forget that the most powerful asset they own is the one they’ve already created: their backlist. Whether it’s a novel that never reached its potential or a nonfiction guide that
The sound of a New Era in publishing For many years, audiobooks have been a nascent yet potent force within the publishing industry, gradually gaining prominence and influence. In the present year, 2025, these entities have attained a level of prominence that defies disregard. A global trend has emerged, with
The Changing Landscape: Why authors are looking beyond Amazon For decades, Amazon has been the go-to for indie authors: massive reach, ease of use, built-in audience, and a sense that it’s the route to legitimacy. Yet in 2025, a growing number of authors are quietly, and powerfully,
There was a time when the fate of a book rested in the hands of editors, critics, and literary agents. A handful of decision-makers determined which voices would reach readers and which ones wouldn't. However, in recent years, those gatekeepers are no longer confined to publishing houses.
The Promise and the Fear of AI in Publishing Artificial Intelligence is no longer a futuristic buzzword, it’s a practical reality shaping the way writers, publishers, and readers engage with books in 2025. For indie authors, who already juggle multiple roles—writer, editor, marketer, designer, and distributor—AI can